posted by admin on Jul 27
In Bill Simmons latest article (hopefully that will be a link should ESPN ever fix whatever is wrong with their site this morning) he argues that Almost Famous is the movie of the decade. I have to disagree with him on many grounds.
1) He freely admits it might be The Dark Knight but the verdict isn’t in on its rewatchability. Really? It’s been on HBO every day for several weeks, if you’ve watched it as many times as I have I’d say the verdict is in and the movie is infinitely rewatchable. This is not to argue The Dark Knight is the movie of the decade but considering it is the highest grossing and one of the best reviewed movies it certainly meets some imaginary criteria.
2) Almost Famous is exclusively and importantly about a different decade. It’s a great movie but for people born in the 80’s and 90’s it cannot define a generation of cinema simply because it cannot define them. Perhaps Simmons shows his age in identifying so strongly with the film.
3) It doesn’t crack the IMDB top 50 for the decade. Sorry but for a movie to be the best of the decade (through Simmons criteria) it must resonate much stronger with mainstream society.
4) If you want to argue the people ranking movies on IMDB are philistines whose opinions are unworthy of this discussion then you bring in a wide number of movies that may not have lit up the box office but are in the talks for the best film of the decade. Well, Almost Famous, as good as it is, doesn’t make the cut there either.
More to the point, Almost Famous is a look backward. To define a decade a movie should not only be well-received critically and commercially but serve as a signpost for the evolution of film. In a decade filled with influential films such as City of God, Memento, Eternal Sunshine, Requiem For A Dream, and many others but also filled with monumental blockbusters with The Lord of the Rings, Harry Potter, Batman, Spiderman, and not to mention all the Pixar films picking one film is impossible. For mainstream movies it was the decade of fantasy and superheroes and for smaller, independent films it was a decade of social issues, challenging narrative structure and a digital revolution in who can make a movie.
I am very happy Almost Famous is Bill Simmons favorite movie of the decade, it is a great film, but having lived through the decade as an avid filmgoer it simply does not define the decade or exist as the best the decade had to offer.
I don’t know why I care so much about this and given that during a podcast Simmons picked The Shawshank Redemption as his defining movie of the ’90’s maybe I’m picking the wrong person to argue with. But somewhere deep within it irritates the hell out of me that Almost Famous would be picked as the movie of the ’00’s.